华东理工大学, 外国语学院, 上海 200237
| 摘 要: | 在文化翻译中,译者常常需要根据译入语文化调整原文的表达,使其更利于理解和传播。然而,由于部分读者缺乏相关文化背景知识,这类改动往往会引起读者的误解,甚至使读者丧失阅读兴趣。此时就需要深度翻译来补充译文中无法提供却又会影响理解的信息。《西厢记》是中国四大名剧之一,其中包含了丰富的传统文化知识,十分考验译者的语言功底,同时也对副文本的选择有较高要求。因此,本文以《西厢记》为研究对象,对《西厢记》三个译本(熊式一译本、许渊冲译本、奚如谷、伊维德译本)中的副文本进行研究,通过研究分析译本中的副文本信息来探究译本背后的翻译动机、理念和方法等。本文旨在为中国戏曲的翻译和传播提供帮助,增强中国文化的自信心,促进“中国文化走出去”的发展。 |
| 关 键 词: | 深度翻译; 副文本; 《西厢记》; 对比研究 |
| DOI: | 10.57237/j.cll.2023.03.001 |
School of Foreign Languages, East China University of Science and Technology, Shanghai 200237, China
| Abstract: | In cultural translation, translators often need to adjust the expression of the original text according to the culture of the target language, so as to make it easier to understand and spread. However, due to the lack of relevant cultural background knowledge of some readers, such changes will often lead to readers' misunderstanding, and even make readers lose interest in reading. In this case, thick translation is needed to supplement the information that cannot be provided in the translation but will affect understanding. The Romance of West Chamber is one of the four famous dramas in China, which contains rich knowledge of traditional culture, which greatly tests the translator's language skills, and at the same time has high requirements for the choice of sub-texts. Therefore, this paper takes The West Chamber as the research object, studies the paratext in three versions of The West Chamber (S. I. Hsiung’s translation, Xu Yuanchong’s translation and Stephen H. West and Wilt L. Idema’s translation), and explores the translation motivation, ideas and methods that influence translation by studying and analyzing the paratext in the translated versions. This paper is expected to contribute to the translation and introduction of Chinese opera, better enhance the confidence of Chinese culture and introduce Chinese culture to the outside world. |
| Keywords: | Thick Translation; Paratext; The Romance of West Chamber; Comparative Study |
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