College of Art, Guangdong University of Business and Technology, Zhaoqing 526020, China
| Abstract: | The way of exploring Kazakh film art in the context of global historical view has condensed the wisdom and talents of Kazakh film workers and is the common wealth of human art. In the era of restructuring and great changes in the world pattern, Kazakh films have gone through several different stages of development: enlightenment, starting, prosperity, reflection and independence. In the face of complex and changeable times, Kazakh filmmakers have always adhered to the dedication of enlightenment and constantly adapted to the needs of the times. In the face of the strong rules of geopolitics and ideology, Kazakh filmmakers use metaphorical artistic techniques to integrate film art creation with national and regional culture, achieve the goal of application and highlight their own characteristics. Since the independence of Kazakhstan, the film art has made remarkable achievements in the difficult and tortuous process of inclusiveness, openness and reorganization. Looking back on the development of Kazakh film art, we can clearly see the relationship between Kazakh films and Soviet films, and can objectively appreciate the role of Kazakh films in highlighting the spirit and culture of the country and the people, the aesthetic system, and the responsibility for society. Focusing on Kazakh film art is of strategic significance for Chinese culture to enter Central Asia and implement the "joint construction of the Silk Road Economic Belt" between China and Kazakhstan. |
| Keywords: | Global View of History; Kazakhstan; Cinematographic Art |
| DOI: | 10.57237/j.ha.2022.01.004 |
| [1] | History of Kazakh cinema (page 1 of 10) (28.05.2009) https://mirznanii.com/a/130116/istoriya-kazakhstanskogo-kinematografa/ 10.07.2020 |
| [2] | 刘文斌、刘洋, 19世纪以来哈萨克斯坦美术史[M], 广西师范大学出版社2015年版, 第136页、第2页. |
| [3] | Formation and development of Kazakhstani cinematography, (17.12.2013) https://www.yaneuch.ru/cat_06/stanovlenie-i-razvitie-kazahstanskogo-kinematografa/366603.2573412.page1.html |
| [4] | Orlov Gennady Viktorovich, Soviet culture and art in the USSR— (30.12.1922 — 25.12.1991) http://ussr-cccp.moy.su/publ/kultura_i_iskusstvo_sssr/kino/sovetskaja_kultura_i_iskusstvo_v_sssr_30_12_1922_25_12_1991/221-1-0-2158. 10.08.2020 |
| [5] | The development of Kazakhstani cinematography over 25 years of independence. http://today.kz/news/kino/2016-11-19/729477-razvitie-kazahstanskogo-kinematografa-za-25-let-nezavisimosti/10.08.2020 |
| [6] | Brief history of Kazakh cinema: from Shaken Aimanov to Emir Baigazin. (14. 08.2018) https://the-steppe.com/razvitie/kazahstanskoe-kino. 10. 08.2020 |
| [7] | Today Kazakhstan celebrates the Day of Remembrance of Victims of Political Repression, (31.05.2017) https://zakon-kz.turbopages.org/s/zakon.kz/4861407-31-maya-den-pamyati.html. 10.08.2020 |
| [8] | National "thaw" in the cinema of the Central. (14.0 8. 2018) https://www.kazportal.kz/natsionalnaya-ottepel-v-kinematografe-tsentralnoy-azii/10. 8, 2020 |
| [9] | 陈之骅 主编: 苏联史纲 (1953-1964) [M], 人民出版社, 1996.6.1, 第133页. |
| [10] | KAZAKH ART 5 VOL. [M]. Алматы: 2013:21 |
| [11] | Cinema "Thaw" (50s - mid-60s) (14.08.2018) https://pandia.ru/text/77/432/14731.php. 10.0 8. 2020 |
| [12] | Soviet cinema / Z / Fatherland (1966) / information about the film. (10.12.2014) https://www.kino-teatr.ru/kino/movie/sov/2476/annot/.10.07.2020 |
| [13] | Abikeeva Gulnara Oiratovna, The image of the family in the cinema of Central Asia in the context of the formation of cultural identity in the region. 2010, Moscow.C. 291. |
| [14] | The idea of independence in the fine arts of Kazakhstan [M]. Almaty: OR MES RK, 2011: 6. |
| [15] | 刘洋等, 哈萨克斯坦人民传统文化艺术与公民文化认同 [J], 浙江理工大学学报, 2021年, 第46卷, 第二期, 第217页. |
We invite active, qualified and high profile scientists and researchers to join as Editorial Board Members.
Join UsScholars with a strong interest in reviewing are invited to join the reviewer panel to ensure the quality of the research to be published.
Join Us